In January, we move into a two-bedroom apartment for the forseeable future.
We’ve been told our renovation project may take 6 to 8 months. I’ve been told by every home owner to add several months to that estimate, so I am telling myself we may be out for a year, so that I don’t freak out when it actually takes that long. Or longer.
The stress of the season is getting to me, leaving aside the fact that we’re both working full time, have two tiny children, are putting our dog down soon, and need to pack up our entire house and move out immediately after the winter holidays. I have a hard time falling asleep at night because my mind won’t stop racing (and because the 4-month sleep regression is really taking sweet Felix for a spin).
Deep breath. Leaving all that aside, I am looking for pockets of gratitude.
As I take down the artwork on our walls and pack up toys and kitchen gadgets, I feel like we have been given this amazing gift to reset. We’re reviving our house, for sure, in some significant ways, but we also have the chance to rethink old ways of doing things. In Marie-Kondo parlance, I feel like I get to assess the whole house, as a holistic unit, and ask what really sparks joy.
I get to have a do-over!
There are many design choices I made eight years ago that I still like, but there are also many that I want to reconsider. For example, I thought I could have a cool Scandinavian-modern house if I painted all the walls white. I did not consider the fact that these rooms look so cool because the architecture is so cool. I do not live in a cool Scandinavian-modern house. I live in a very plain midcentury cottage, churned out by the thousands to suit the needs of ordinary working Americans. Painting all the walls white just makes my plain house look even plainer. This is something to reconsider in a big way.
Most recently, I have become enamored with eclectic English cottage design, which I may reflect on in a separate post. This style seems to be in vogue lately among my set and is often called the “grand-millennial” look, which I vaguely object to. But I am increasingly very interested in antiques, patterned textiles, upholstery, wallpaper, and frilly lampshades. Who knew? It’s a far cry from what I admired a decade ago, which was all stark white floors and gray textures. Turns out that’s not how we live or decorate, given our penchant for owning too many books, heavy curtains, and acquiring silly art. I suspect our family tastes are much more in line with the ramshackle English aesthetic.
Meanwhile, please enjoy this photo, in which I take Guion and Felix by surprise while Felix was getting a baby manicure.