My Bright Abyss

My Bright Abyss, the latest book from poet Christian Wiman, came to me at the right moment; it was one of those inspired books that reaches you in this unexpected, perfect place.

My Bright Abyss: Meditation of a Modern Believer
My Bright Abyss, by Christian Wiman

Lately, I have been feeling lonely in my faith. The old structures of belief that I once clung to have crumbled, noiselessly and painlessly, but I still miss them. I want to return to the simpler days of my childhood and youth, the time of legalistic, black-and-white belief; it was easier back there. I was comfortable pretending I had all of the answers.

I used to be wrapped up in a lot of theological minutiae. But I am not concerned about these things anymore:

Heaven (and who is going there)
Hell
Factual inaccuracies in the Bible
Predestination
The End Times

And this shift in belief, Wiman writes, is natural:

In fact, there is no way to “return to the faith of your childhood,” not really, unless you’ve just woken up from a decades-long and absolutely literal coma. Faith is not some half-remembered country into which you come like a long-exiled king, dispensing the old wisdom, casting out the radical, insurrectionist aspects of yourself by which you’d been betrayed. No. Life is not an error, even when it is. That is to say, whatever faith you emerge with at the end of your life is going to be not simply affected by that life but intimately dependent upon it, for faith in God is, in the deepest sense, faith in life–which means that even the staunchest life of faith is a life of great change. It follows that if you believe at fifty what you believed at fifteen, then you have not lived–or have denied the reality of your life.

I feel very unburdened by this. Acknowledging that I don’t worry about these subjects anymore has been so freeing to me. I don’t have to have a stance on heaven or predestination; I don’t have to determine (with outrageous arrogance, I might add) whether someone is “saved” or not. My lack of concern over these issues does not affect my relationship with people or with Jesus. Rather, I feel so much happier about being a Christian than I did six or seven years ago. Many of you may disagree with this laissez faire attitude toward certain elements of doctrine; that’s OK. I’m just finally willing to admit that I don’t know everything and that I don’t need to know everything.

As Wiman writes:

The minute any human or human institution arrogates to itself a singular knowledge of God, there comes into that knowledge a kind of strychnine pride, and it is as if the most animated and vital creature were instantaneously transformed into a corpse. Any belief that does not recognize and adapt to its own erosions rots from within. Only when doctrine itself is understood to be provisional does doctrine begin to take on a more than provisional significance. Truth inheres not in doctrine itself, but in the spirit with which it is engaged, for the spirit of God is always seeking and creating new forms.

So, God has not changed; I have changed, and with that, my views on the essentials truths of my faith have changed. Christian Wiman reminded me that this is OK, and that I can find peace here, in this new and unfamiliar landscape of personal belief.

The book draws its title from a few lines of poetry by Wiman, which have struck me as the precise rendering of all that I have been feeling and wrestling with over the past year.

My God my bright abyss
into which all my longing will not go
once more I come to the edge of all I know
and believing nothing believe in this.

More

Buy My Bright Abyss on Amazon.
Two poems by Wiman.
New Yorker review of My Bright Abyss.

What you do not know

Click for source.

[Faith] is not a conviction based on rational analysis. It is not the fruit of scientific evidence. You can only believe what you do not know. As soon as you know it, you no longer believe it, at least not in the same way as you know it.

— New Seeds of Contemplation, Thomas Merton

. . . . . . . . . . . . . . . . .

This is what faith is.

Thoughts, at the close of this very, very busy week:

  • Daniel and Lauren Goans are such beautiful and consistently intentional people. They are also, of all the couples I have met, two people who are utterly meant to be together. God made them for each other, in that classical Plato’s other-half kind of way. They couldn’t possibly be married to anyone else.
  • The thought of welcoming a new coworker to our small, close-knit department feels akin to welcoming a new family member. Feelings of anxiety and trepidation are dredged up.
  • Jill Stein for president! According to I Side With, I agree with this crazy lady on 97% of the issues (and with Romney on approximately 0% of major things). What is a thinking person to do, in a two-party republic?
  • Every time I’ve made up my mind never to read any more British literature, because it is so tired and predictable and snobby, a specter of Virginia Woolf floats in front of my mind and I back away from that proclamation.
  • Kelsey and Alex are getting married in 15 days!

Monday Snax

Another busy weekend in North Carolina: Guion backed Daniel Levi Goans at his CD release show in Greensboro, and I was in Charlotte/Davidson, hanging out with my fam and celebrating with Eva and Peter.

Grace was Eva and Peter’s wedding photographer and has just put up some of her amazing photos from their “first look” on the railroad tracks. Check it out.

Quick selection of photos below:

IMG_7021
We took Ally out for a (belated) birthday brunch at The Egg.
IMG_7036
The beautiful, happy bride gets dressed.
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Eva and Peter get hitched! At the Green Rice Gallery in Charlotte.
The cutest child EVER
Thumbnail from phone picture from a home video. Proof that Sam was the cutest child ever to live.

Snax!

“Cruel,” by St. Vincent. New favorite song (I’m OBSESSED) and album. I can’t wait for her concert here in October! This music video is also totally crazy and creepy. (The Fox Is Black)

The Psychologist. Why novelist Vladimir Nabokov may have actually been the greatest psychologist of his time. (The American Scholar)

The Writer’s Voice. A reflection on the experience of hearing a great writer read his or her own work–with links! Listen to the dulcet tones of Flannery O’Connor, W.B. Yeats, Philip Larkin, James Joyce, Vladimir Nabokov, and J.M. Coetzee. (The Book Bench, The New Yorker)

Al Gore’s Excellent Timing. You know all this apocalyptic weather we’ve been having lately? Al Gore chimes in on a reason, and it’s not the Second Coming. These statistics are chilling… or should I say warming? (The Atlantic)

Bookish Illustrations. Lizzy Stewart’s solemn and wonderful sketched book covers for beloved classics. (Wolf Eyebrows)

Meg Gleason: Personalized Stationery. Love these cards, especially the last one in the set of photos. (Design Work Life)

Farm Life. What an idyllic childhood Courtney must have had… Jealous! (Radiate)

Your Wild Horses. Wild, white horses, galloping in the surf? Of course these photos are going to be amazing. (Eye Poetry)

Got a Girl Crush On: Wild Hearts Can’t Be Broken. Did this really happen?? Has anyone seen this movie? (Got a Girl Crush)

Pen on Paper: A Defense of Writing. Yet another article about why handwriting matters, this time from The Curator. (The Curator)

Chat History. A true and heartbreaking romance, rendered in Gchat. (Good)

The Dark Side of the Placebo Effect: When Intense Belief Kills. Apparently, if you believe too hard, you can die. (The Atlantic)

Dr. Neubronner’s Miniature Pigeon Camera, 1903. Um, awesome. (How to Be a Retronaut)

Thoughts on Gilead

Gilead, by Marilynne Robinson

At its simplest, Gilead is an old man’s love letter to his young son. At its deepest, the novel is a moving and melodic elegy for the quiet night of the soul. It is sad. It is soft. I liked it a lot. I have a tendency to gravitate toward books heavy on the internal reflection (Woolf, Proust anyone?) and Marilynne Robinson certainly delivers in this respect.

The jacket for my copy describes the Reverend John Ames’s life as a “God-haunted existence.” I think this an apt phrase for the protagonist and narrator, who comes from a long line of fervent and religious men. He writes as a 77-year-old man to his very young son.

The letter hinges quite a bit on the fact that when one is old, one will still wrestle with one’s central beliefs–perhaps especially if one is a preacher. It was somehow relieving to me to read about this wise, old minister who still talked to God and still had lots of questions for him. For example, how does one really forgive someone? And must we? Always? Why is it that our defenses of our deepest held beliefs sound trite and foolish when explained to someone else who does not share them?

Robinson inhabits the voice of John Ames very convincingly, which is itself a great accomplishment, as she is neither male nor about to die nor a Congregationalist minister living in Iowa in the late 1950s. Some popular novelists bank on the trope of creating narrators who are thinly disguised versions of themselves (Gary Shteyngart, Junot Diaz, and Jonathan Safran Foer come to mind); Robinson shirks that easy way out and instead picks a character who is as unlike her as possible. And, boy, does she pull it off.

I think it helps that Robinson herself is a converted Congregationalist and has preached at her local church several times. Her knowledge of scripture and time-honored Protestant theological debacles is impressive. She knows enough about Protestant Christianity to sound like a very believable 77-year-old preacher. John Ames’s internal battles are still being waged and yet we trust and rely on him as our credible and wise narrator.

A large part of the novel, to me, is about the sadness of growing old. It’s sad for everyone, but especially for John Ames, who has a much younger wife and child. The intensity with which he watches them, strives to remember them is touching. Reading his long letter to his son made me want to take better care of my memory and my limited attempts to record the people who are dear to me. Thus motivated by John Ames, I started writing small vignettes and stories about my relatives. Some day, these little stories will be infinitely more valuable to me than they are now–and this is the truth at the heart of Gilead.