How light, how loose

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One of the two dogwoods in the front yard.

Life is short, and the days pass quickly, especially in winter, when we wake up and come home in darkness. My perennials have been stricken by the frost; they appear to have been caught totally off-guard, their leaves curling up with blackened edges. A carpet of red dogwood leaves fills up half of the front yard. I am loath to rake them.

A family of finches is trying to nest in our wall-mounted mailbox. I hear them landing on the metal lid in the morning and catch them poking their heads in the side. They’ve amassed a small collection of building supplies in the mailbox: tiny twigs, bits of green moss, skeins of grass. I’m curious to see how far they can get with this project, what with the daily disruptions from the mailman.

Regular fires in the living room, surrounded by our books and antsy German shepherds, keep the spirits bright. We are getting a new front door installed the week after Thanksgiving, and I remember it eagerly every morning as I curse the hated storm door. But we are lucky, to have warmth and share words with one another.

“My favorite part is connecting the ideas. The best connections are the ones that draw attention to their own frailty so that at first you think: what a poor lecture this is—the ideas go all over the place and then later you think: but still, what a terrifically perilous activity it is . . . How light, how loose, how unprepared and unpreparable is the web of connections between any thought and any thought.” — Anne Carson, “Uncle Falling,” Float

Thoughtful conversation does not happen easily. I admire and envy people who can speak fluidly, in full sentences with fleshed-out ideas. I speak haltingly. I hedge. I go back on what I previously established; I come out with an opinion too quickly. But this quote from Carson makes me feel a little better. If even Anne Carson feels that the web of connections between thoughts is unprepared and unpreparable, then maybe I’m not so alone.

Still, I’d like to be more intentional. I’d like to use better words.

I did not appreciate Sebald in Austerlitz, but I appreciate him now, greatly, in The Rings of Saturn. It is dreamy and rich and full of life.