Your cold mornings are filled with the heartache about the fact that although we are not at ease in this world, it is all we have, that it is ours but that it is full of strife, so that all we can call our own is strife; but even that is better than nothing at all, isn’t it? And as you split frost-laced wood with numb hands, rejoice that your uncertainty is God’s will and His grace toward you and that that is beautiful, and part of a greater certainty, as your own father always said in his sermons and to you at home. And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.
— Tinkers, Paul Harding
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A long quote, but a very good one: How uncertainty can be God’s grace to us. (I saw so much of Marilynne Robinson, Harding’s former professor, in that book.)
I haven’t been around here much lately, and my postings will probably be more than usually sporadic, since the month of May is pure madness for us. But everything in May will be good and new and exciting, even if just looking at my calendar makes me break out in a cold sweat.
I am trying to read many things, even though I feel like all of it is skimming over my head. I am spending a lot of time with Eudora Welty, one of my all-time favorites, in preparation for next month’s book club. I have missed you, Eudora. When I was about 14 and said I wanted to be a writer, Dave gave me a copy of her collected short stories and told me to read them closely. It was very, very good advice. I am so happy to return to her.
I also just started Susan Sontag’s On Photography, which is powerful and mind-opening. I think Guion would like it a lot. And Grace. Most people, for that matter. Anyone who’s ever looked at photographs before.
“I would like to learn, or remember, how to live. I come to Hollins Pond not so much to learn how to live as, frankly, to forget about it. That is, I don’t think I can learn from a wild animal how to live in particular–shall I suck warm blood, hold my tail high, walk with my footprints precisely over the prints of my hands?–but I might learn something of mindlessness, something of the purity of living in the physical senses and the dignity of living without bias or motive. The weasel lives in necessity and we live in choice, hating necessity and dying at the last ignobly in its talons. I would like to live as I should, as the weasel lives as he should. And I suspect that for me the way is like the weasel’s: open to time and death painlessly, noticing everything, remembering nothing, choosing the given with a fierce and pointed will.”
— Teaching a Stone to Talk, Annie Dillard.
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A little more on my animal theme this week. I also have sad news: We learned that dear Aoive, Guion’s parent’s springer spaniel, had to be put down last night, after an excruciating cycle of non-stop seizures. She was such a sweet, affectionate girl. Rest in peace, Aoive; I hope you are stalking birds to your heart’s content in heaven. Happy weekend, everyone.