Before having a baby, I appreciated hearing from other moms that the deep/eternal/life-altering mother-love doesn’t always happen instantly. Even my mom, the paragon of virtuous motherhood, admitted she didn’t love me at first. “You were this strange little big-eyed alien,” she said. “I loved my nephew a lot more than I loved you, and you were my baby!” My dad also chimed in to add that he didn’t really love any of us until we were at least six or seven months old.
Thus established, it now feels freeing to confess that I don’t think I loved Moses at first. The primary emotion I had, after giving birth, was Thank God that’s over, not Bring the light of my life to my chest so that I can gaze upon his perfect brow! I liked him, sure, and I wanted to meet all of his needs and keep him safe and happy, but I wouldn’t call it love. Especially during that brutal first month, my primary emotional state was a mix of bewilderment and exhaustion.
Today, now that we are three months in, I am pleased to say that the feeling has come. I think about him all day long now. I want his little body to be close to mine as much as possible. Securing his joy seems like the only task that matters in life. He is also so CUTE. Just the cutest. I don’t care if I’m blinded by bias; it’s all I can think when I look at him. I mean, look at this little doofus:
All this to say: I am happy that the feeling has come. I suspect it will last. And then, soon, in a matter of months, when he becomes more cognizant, his father and I will both have to work hard to keep him from becoming a spoiled little princeling, lest all this overbearing love make him totally unbearable.
. . .
Perhaps it is a sign that I am getting old, but I long for moderation. I want to regulate and conserve my life. I want to use what I have. I want to keep the company of temperate people.
. . .
“The advantage of motherhood for a woman artist is that it puts her in immediate and inescapable contact with the sources of life, death, beauty, growth, corruption. … If the woman artist has been trained to believe that the activities of motherhood are trivial, tangential to the main issues of life, irrelevant to the great themes of literature, she should untrain herself. The training is misogynist, it protects and perpetuates systems of thought and feeling which prefer violence and death to love and birth, and it is a lie.”
— Alicia Ostriker
. . .
A lovely neighbor, the mother of two beautiful boys, sent me an email after Moses was born, asking me how I was adapting to my new life. She wrote, of her own experience with her firstborn son, “I was all strung out and anxious and generally uncomfortable and homesick for my old life for a lot of those early days.”
I loved her use of the word homesick, because I think it perfectly captures this new state of being. It’s a curious homesickness, because all of the trappings of your old life are still there: Your home hasn’t changed. It is the same, and yet your experience of it is completely altered. It is hard not to miss the old ways. I find myself frequently telling Guion, “I miss you.” I feel like I never see him anymore, even though we arguably see each other more than we ever did before.
It is a long period of adjustment, I suppose. At least the reason for all of this internal upheaval is very cute. That helps.